• I use contemporary Chinese eastern ink and brush and handmade mulberry paper to create a minimalist approach to urban cityscapes. My goal is to transcend a traditional art form by using eastern principles of balancing forms with the negative space while implementing western aesthetics
    Impermanence no.1035
    1440,955
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  • 968,960
  • I utilize contemporary Chinese brushstrokes and empty space to create a sophisticated balance in my work. With a back ground in architecture and a passion for lines and the graphical nature of it I continue to develop arrangements that allude to strong imagery and sensations.

    The materials used in the artwork consist of handmade paper, ink made of pine soot and watercolors. The handmade paper has silk, cotton, woodchips and mulberry pressed into the pulp. The result is a warm velvety, tactile surface. The ancient process of preparing the artwork for framing is similar to that of mounting scrolls. Wheat paste is applied to the back side of the artwork and layers of paper applied until it reaches the ideal resilience. This method of preparing works on paper dates back 2 thousand years and can only be done by a handful of artisans in America.
    Modern Structures no.1034
    758,960
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  • I utilize contemporary Chinese brushstrokes and empty space to create a sophisticated balance in my work. With a back ground in architecture and a passion for lines and the graphical nature of it I continue to develop arrangements that allude to strong imagery and sensations. 

    The materials used in the artwork consist of handmade paper, ink made of pine soot and watercolors. The handmade paper has silk, cotton, woodchips and mulberry pressed into the pulp. The result is a warm velvety, tactile surface. The ancient process of preparing the artwork for framing is similar to that of mounting scrolls. Wheat paste is applied to the back side of the artwork and layers of paper applied until it reaches the ideal resilience. This method of preparing works on paper dates back 2 thousand years and can only be done by a handful of artisans in America.
    Modern Structures no. 1036
    769,960
    Direct Sale
  • I utilize contemporary Chinese brushstrokes and empty space to create a sophisticated balance in my work. With a back ground in architecture and a passion for lines and the graphical nature of it I continue to develop arrangements that allude to strong imagery and sensations.

    The materials used in the artwork consist of handmade paper, ink made of pine soot and watercolors. The handmade paper has silk, cotton, woodchips and mulberry pressed into the pulp. The result is a warm velvety, tactile surface. The ancient process of preparing the artwork for framing is similar to that of mounting scrolls. Wheat paste is applied to the back side of the artwork and layers of paper applied until it reaches the ideal resilience. This method of preparing works on paper dates back 2 thousand years and can only be done by a handful of artisans in America.
    Modern Structures #1031
    678,960
    Direct Sale
  • I use contemporary Chinese eastern ink and brush and handmade mulberry paper to create a minimalist approach to urban cityscapes. My goal is to transcend a traditional art form by using eastern principles of balancing forms with the negative space while implementing western aesthetics
    Impermanence #1032
    1425,960
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  • Chicago Skyline #897
    720,960
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  • Denver Skyline #881
    1326,960
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  • Denver Skyline #896
    965,960
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  • Denver Cityscape #860
    989,960
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  • Madison WI Cityscape no.862
    991,960
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  • Modern Structure #837
    967,960
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  • Modern Structure #816
    658,960
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  • Heart of a City #1019
    638,960
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  • Heart of a City #1023
    739,960
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  • Heart of a City #1014
    640,960
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  • Heart of City #1020
    1440,954
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  • Heart of a City #1013
    640,960
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  • Silver City #834
    799,960
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  • Silver City #823
    656,960
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  • Silver City #818
    265,960
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  • Heart of a City #838
    1440,503
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  • Impermanence #1012
    713,960
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  • Impermanence #1011
    663,960
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  • I utilize contemporary Chinese brushstrokes and empty space to create a sophisticated balance in my work. With a back ground in architecture and a passion for lines and the graphical nature of it I continue to develop arrangements that allude to strong imagery and sensations.

    The “Impermanence” series reflects density and community in the form of deconstruction and old-world rooflines. I have always been fascinated with how people interact and communicate in dense environments. While living in Asia I had the opportunity to study Chinese ink and brush. During my stay I was able to observe the dynamics of urban living and then see the contrast in the way we live our lives in the United States. For many of us, we have the luxury of closing our doors, never having to interact with our neighbors.

    The materials used in the artwork consist of handmade paper, ink made of pine soot and watercolors. The handmade paper has silk, cotton, woodchips and mulberry pressed into the pulp. The result is a warm velvety, tactile surface. The ancient process of preparing the artwork for framing is similar to that of mounting scrolls. Wheat paste is applied to the back side of the artwork and layers of paper applied until it reaches the ideal resilience. This method of preparing works on paper dates back 2 thousand years and can only be done by a handful of artisans in America.
    Impermanence #900
    967,960
    Direct Sale
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